![]() However, many of them exhibited a certain ambivalence. They were committed to a life of freedom, work, and pleasure, and eschewed the corruption and rotten values of conventional society. It was Murger who portrayed a world of artists, social rebels, and radicals who rejected the comforts of the bourgeoisie, opting instead for poverty, and believing that any true experience demanded suffering. In his hands, Bohemianism became a cult, all the rage. ![]() It is his "Bohemia" which relates directly to Puccini's opera it is his characters - Rodolfo, Mimì, Schaunard, Marcello, Colline, Musetta, et al - that are portrayed there. Murger was the first to write about it, in a set of short stories serialized in a small newspaper in 1846, later turned into a sell-out play in 1849 and then a book in 1851. Henri Murger, Alexandre Privat, and Jules Vallès. The Parisian "Bohemia" in which the Puccini's opera was originally set was a world portrayed by three writers: The Parisian "Bohemia" of the 1840s and 1850s (Typical of this group is the French poet and critic Charles Baudelaire.) Its behaviour centers on the ambivalent and the self-consciously paradoxical: a tradition of pursuit of the new, the cultivation of a pleasureless hedonism, the development of systems for the liberation of spontaneity. tends to be alienated from all rational and utilitarian aspects of social organization and cultural tradition and aims to create a new kind of exaggeratedly irrational art and, perhaps even more important, an irrational style of life.
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